Lord Shiva alias ‘Rudra’

Series on Shiva the Supreme!

(Continued)

– Dr. Dhananjay B. Ghare

(This series is designed in a dramatic conversation format, the selected important information on Lord Shiva as it is available in several related Pauraṇic, Upaniṣadic and Vedic Sūkta literature. This episode is mainly based on information in the ‘Rudra Samhitā’ section of Shiva Purāṇa text)

Śaunakādika: Respected Sūta Mahāṛṣi, thanks for the information about a) the Vedopaṇiśadic concept represented by lord Shiva and b) some important methods useful for pleasing Lord Shiva such as i) performances called as his ‘vrata’s (meaning tools to wrap and grab him via miniature forms of penances or ‘Tapācharaṇa’s’) and ii) five to 16 step procedures of worships to honour and please him. Now please tell us about some other information about Lord Shiva.

Sūta (alias Romaharṣaṇa):  Once sage Nārada was pondering about his own self achievements and progress in spiritual path. Lord Kāmadeva (representing the divine capability to make a wish or ‘Desire’ about possessing or witnessing ‘something’), is considered as the son of Lord Viṣṇu and Goddess ‘Lakṣmi’. To have a full mental control over this divine capability, is considered as a very difficult task achievable by saints and sages of highest order of spiritual status and emotional detachment. Somehow, Nārada in his wrong self over assessment, strongly felt that he had achieved these rare spiritual feet of ‘mental control’ representing a ‘win over Kāmadeva’.

Happily, he hurriedly went to ‘Kailāśa’ and told Lord Shiva about his own opinion on his spiritual achievement of mental self-control representing his ‘win’ over Lord ‘Kāmadeva’. Lord Shiva was amused and laughed heartily and realized that ‘self-pride’ (garva, durahankāra) had overtaken the ‘commonsense’ and ‘humbleness’ in the mental sheath (‘manomaya Kośa’) of the sage. Therefore, Lord Shiva (outwardly) congratulated Nārada over his self-assessment of spiritual progress and advised him to keep it confidential and not to tell this to anybody else, especially Lord Viṣṇu. Sage Nārada however did not take this advice seriously. On the contrary, like a child, he straightaway got inclined to do what he was advised to avoid.

From ‘Kailāśa’, Nārada straightaway went to ‘Vaikuṇṭha’ the abode of Lord Viṣṇu and described about his claim of having achieved the rare mental control and victory over Lord ‘Kāmadeva’. Lord Viṣṇu in reply, mockingly congratulated him on one hand but cunningly created a hypnotic false stage around sage Nārada. As the sage came out of ‘Vaikuṇṭha’, Nārada entered this illusive dramatic atmosphere created by Lord Viṣṇu, which was similar to an experience in a ‘dreaming state’. There, he saw a kingdom ruled by the king ‘Śīlanidhi’ who welcomed and honored sage Nārada with great respect. His daughter princess ‘Śrīmati’ was extremely attractive and extraordinarily beautiful. King ‘Śīlanidhi’ told Nārada that he was soon organizing the program where she was going to get married by the ‘svayamvara’ (self-selection) process. In this process, the princess with a garland of flowers in her hand, was supposed to choose the most impressive ‘Personality’ in the ‘Svayamvara’ program assembly and garland the person chosen by her for getting married.

Nārada was unaware of this ‘Māyā’ meaning a false and non-existing ‘illusive stage’ created by Lord Viṣṇu, in which he had got trapped. His mind got possessed by a strong desire to get selected and married by the extraordinarily beautiful Princess ‘Śrīmati’. This strong desire born in his mind was a clear indication that he had not reached the spiritual status of ‘win over Lord Kāmadeva’. Nārada hurriedly went back to ‘Vaikuṇṭha’ and requested Lord ‘Hari’ alias ‘Viṣṇu’ to give him in boon, a ‘handsome personality like himself’. Lord Viṣṇu mockingly granted the boon that he will look like ‘Hari’ which is one of the thousands of names of Lord Viṣṇu. Each name of a Vedic God is actually a characteristics or description of some action, activity  carried out by that God. e.g. a) ‘Keshava’ means the divine power which has killed the demon ‘Keshi’, b) ‘Gopāla’ means a cowherd taking care of cows and c) ‘Mādhava’ or ‘Madhusūdana’ both names mean the divine power which has killed the demon ‘Madhu’ etc.

(Source of image: https://www.sawanonlinebookstore.com/narads-monkey-face/)

Nārada thought that he had received the boon to look like handsome Lord ‘Hari’ alias Viṣṇu.  Unless seen in a mirror, nobody knows how exactly his or her face is looking at any instant. Therefore, Nārada got into a mental illusion that he must now be looking as handsome as Lord Viṣṇu. However, the word ‘Hari’ also meant like a ‘Monkey’.  Lord Viṣṇu in his jocular mood had actually used his powerful ‘Māyā’ to make sage Nārada’s face to look like a ‘Monkey’. Sage Nārada unaware of this trick played on him by Lord Viṣṇu, attended the marriage of that illusive princess ‘Śrīmati’. There, he noticed that all persons in the assembly were looking at him in great amazement and smiling heartily. All were actually laughing at his face looking like a Monkey. However, sage Nārada thought that they were getting impressed by his handsome personality similar to Lord Viṣṇu. Soon, Lord Viṣṇu himself came there and the princess pleased by his handsome personality, garlanded him and got married to Lord Viṣṇu. Sage Nārada wondered about what went wrong with him and had a look at himself in a mirror. Immediately, he realized that Lord Viṣṇu had played a dirty trick on him and given him the face of a monkey. Raging with anger, sage Nārada went to ‘Vaikuṇṭha’ and cursed Lord Viṣṇu that he will suffer parting away (viyoga) from his wife ‘Sītā’ and will be forced to take the help of monkeys to fight a war against the abductor demon Rāvaṇa, during his human incarnation as Lord ‘Rāma’.

(Source of image: https://www.tamilnadutourism.tn.gov.in/destinations/rameswaram-temple)

After listening to these angry outbursts and curses from sage Nārada, Lord Viṣṇu calmly pointed out to him that he had neither won control over ‘Kāmadeva’ (making ‘Desires), nor had he conquered ‘Anger’ (Krodha). Excited by these bad emotions he had himself suffered from sorrowful conditions and had even cursed Lord Nārāyaṇa, his most beloved and respected God. He should therefore carry out a pilgrimage of holy places of Lord Shiva and get blessings and guidance from the holy presence of Lord Shiva at such special locations, for cleansing his mind and for ensuring his proper progress on the spiritual path of self-moral-upgradation. Nārada as per this advice, visited several important ‘Śaiva’ pilgrimage centres like Somanātha, Kāshī, Rāmeśvara, Shrīśailam etc. to get blessed by Lord Shiva and to improve his spiritual status.

Śaunakādika: Dear Sūta ji, it was interesting to know about the suffering of sage Nārada because of his discarding and ignoring the wise advice given to him by Lord Shiva. Now please tell us about why is Lord Shiva called as ‘Rudra’.

Sūta: The meaning of the verb ‘rud’ is to ‘cry’. Therefore, ‘Rudra’ literally means a) one who is crying himself or b) one who causes ‘crying’ around his location. Lord Shiva spent a lot of time in wandering all over Indian subcontinent with the dead body of ‘Satī’ over his shoulders and crying over her unfortunate death. This episode is one of the reasons to call Lord Shiva as ‘Rudra’ meaning a crying personality.

(Source of image: https://www.bonobology.com/when-shiva-lost-sati/)

Further, he is recognized as the power which causes ‘Laya’ meaning dissolution of each and everything that gets born in this Universe. This ‘Laya’ obviously causes apparent destruction or death or end of every existence which gets born. Therefore, this activity also causes ‘crying’ like emotions among the sufferers (e.g. close relatives and friends of the dying personality). Moreover, when in anger, and while fighting a fierce war, Lord Shiva is known to look so fearfully terrible that the enemies and their relatives can feel like crying (due to auto triggering of that emotion by the fearful appearance of Lord Shiva).

(to be continued….)

Dr. Dhananjay B. Ghare, Former Scientist, Indian Institute of Science, Bengaluru

Divinely Beneficial Knowledge about Lord Shiva (Part I)

Series on Shiva the Supreme!

– Dr. Dhananjay B. Ghare

This article is based on Shiva Purāṇa‘s Vidyeśvara Samhitā.

Śaunakaadika (representative of ‘Śaunaka’ group of sages): Respected Sūta Mahāṛṣi, devotees of every God or Goddess are always

 a) curious to know more and more about their believed and respected divine powers and

 b) willing to perform devotional activities to please, their Gods or Goddesses.

Please brief us about ‘how can Shiva devotees try to please Lord Shiva, The Supreme divine Power’.

Sūta: All Vedopaṇiśadic Gods are theoretical concepts or philosophical entities. The word ‘Shiva’ means pure, holy, pavitra or austere. The Vedic God Supreme is defined as the immortal, infinite energy (super power, śakti) which always exists (Yad bhūtaṁ, Yad cha bhavyaṁ). The format of God Supreme’s presence is either manifested or unmanifested. e.g. before the Big-Bang and birth of the presently manifested our Universe, this ‘energy’ must be existing in the unmanifested form. Further, such manifested form of ‘God Supreme’ is known to possess three sthūla meaning gross physical characteristics (viz. utpatti, sthiti and laya meaning birth, life-span and death). The God Supreme present in intelligent ‘living species’ formats also possesses three sūkśma meaning subtle mental (conscious behavioural pattern type) characteristics viz. satva, rajas and tamas tendencies. These subtle characteristics are not found in non-living objects. Only ‘tamas’ in the sense of ignorance can be identified to be present in the non-living objects.

Majority of happenings in this universe, happen following certain Laws of Nature. Therefore, Vedic sages attribute these occurrences as actions of an intelligent (kartā) ‘creator’.  This hypothetical creator (and evolution manager) is named as Brahmā (or Brahmadeva). Similarly, the hypothetical guardian of these ‘creations’ (dhartā) is named as Viṣṇu and the hypothetical dissolver (hartā, or destroyer of these ‘creations’, at the end of their life-span) is named as Śankara (meaning blissful performer) or Shiva (meaning holy). In fact, all these three activities are carried out by the unique power called God Supreme. Brahmā, Viṣṇu and Shiva are names given to three roles being performed simultaneously by the God Supreme himself.

Universes (and every living and non-living objects residing in them) after birth, keep on aging and evolving with time, following some Laws of nature. The living species, especially human beings, are seen to possess the three sūkśma subtle characteristics viz. 1) Satva guṇa, (saintly attitudes, God fearing reluctance from sinning, non-selfishly helpful attitude towards all other humans, animals and birds) 2) Rajo guṇa (Pride, desire to ‘show off’ own abilities like cleverness, fortunes etc., intuitive creativity, business minded calculations of profitability of actions etc.) and 3) Tamo guṇa (laziness, sleepiness, cruelty, sarcastic, extremist tendencies etc.).

Lord Shiva is defined to represent exemplarily divine Tamo guṇa characteristics of Mother Nature. Therefore, he represents ‘tama’ meaning Extremes or Maximums e.g. ‘Gurūtama’ means largest possible, ‘Laghutama’ means smallest possible, etc. Lord Shiva thus represents extreme or maximum possible holy characteristics. Lord Shiva is omnipresent in the Universe. Consequently, he must be present within every human personality including every one of his devotees. A Shaiva devotee therefore must try to understand, feel, realize and visualize Lord Shiva’s presence in both these fashions. i.e.

a) Extrovertly Lord Shiva’s omnipresence, everywhere in the Universe, including the space and

b) Introvertly, within the devotee’s own body, mind, heart and personality.

Highest level of information about the Vedic concept named ‘Lord Shiva’ is available in

a) Vedic Rudra Sūkta (famous as chamaka and namaka mantras) and

b) in numerous Upaniṣad texts related with him e.g. Iśāvāsyopaniṣad, Rudropaniṣad, Mānḍukyopaniṣad, Śivopaniṣad, Kālāgni-rudropaniṣad, Daxiṇāmūrtyopaniṣad, Pāśupata-brahmopaniṣad, Kathā-rudropaniṣad, Rudra-hṛudayopaniṣad, Lingopaniṣad, Nīla-rudropaniṣad, etc.

Next level of information about Lord Shiva, in comparatively simpler language, is available in Paūrāṇic literature. Some Purāṇa’s focussed on him are Shiva Purāṇa, Linga Purāṇa, Skanda Purāṇa, etc. The presence of Lord Shiva within one’s own personality needs to be intellectually understood and mentally experienced by every human soul in his own self (e.g. understanding and using the four mahāvākya’s : ‘Aham Brahmasmi’, ‘Tat Tvam Asi’, ‘Ayam Ātmā Brahma’ and ‘Prajñyānam Brahma’).

This may possibly be practically realised as follows.

 a) As the experiencer of the deep sleep state of one’s self-awareness.

 b) As the experiencer of the deep peace and satisfaction in the ‘Samādhi’ state, (‘Ashṭānga Yoga’) or 

c) As the performer of extremely active fully engrossed state of dancing : Naṭarāja.

Sir M. Vishveshvarayyā used to advise ‘Always perform every action in such a way that, it becomes the best ever possible way of its performance’. In Vedic terminology, this advice means ‘everyone should always work in a fashion as if the work is ideally being performed by the divine power like Lord Shiva himself’.

Following strict physical and mental disciplines all 365 days of the year, is not possible for a vast majority of Shiva devotees. Therefore, some special days are recommended for their convenience. Special devotional activities like ‘vratācharaṇa’ (meaning observing certain recommended disciplines on special ‘vrata’ days) are used to please Lord Shiva. Weekly, Monday (‘Somavāra’) is designated as auspicious for fasting and worshipping Lord Shiva. Among Moon phases based ‘tithi’ days, both Śukla and vadya Ekādashī and vadya Chaturdaśi called as ‘Shivarātrī’ are recommended as highly auspicious days for fasting, worshipping and singing prayers of Lord Shiva. ‘Jāgaraṇam’ means keeping awakened all through the night and keeping engaged in devotional activities, is also highly recommended as a part of the vrata performance, especially on the monthly once vadya Chaturdaśi day called as ‘Shivarātrī’ meaning ‘holy night’. Such an annual day in the month of ‘Māgha’ is called as ‘Mahā Shivarātrī’.

‘Fasting’ is recommended as an act of pleasing God, by almost all religions. Modern medical science modifies and recommends it as ‘dieting’. Special feature of fasting on Shivarātrī is the inclusion of keeping awakened in the whole night period, which requires a lot of strong will-power. Spiritually speaking, ‘Will-Power’ is the Goddess Pārvatī realizable within all human personalities and assisting the ‘laya’, ‘vilaya’ processes are hypothecated as being carried out by Lord Shiva. A symbolic story associated with Mahā Shivarātrī’ is as follows.

Once a hunter (vyādha) was walking to the forest for hunting animals like dears, rabbits etc. That day, being ‘Mahā Shivarātrī’ day, he crossed a lot of devotees of Lord Shiva, who were loudly reciting ‘Shiva’ ‘Shiva’ mantra continuously. In a mood of mocking and laughing at them, the hunter also started reciting ‘Shiva’, ‘Shiva’, ‘Shiva’. Unknowingly his tongue got into that rhythmic habit and he started acquiring spiritual credits associated with such mantra recitation. In the forest, he happened to climb on a bilva tree and was waiting for some baits to appear within his range of killing. All the time, he happened to enjoy the fun of shouting ‘Shiva’, ‘Shiva’, ‘Shiva’. By chance there was a Shivalinga on the ground below the trunk where he was sitting. As a time pass, he kept on cutting off some sacred bilva leaves and throw them down. By chance, most of them used to fall on the Shivalinga and some additional spiritual credits kept on getting accumulated for this act as well. One after the other, three she-dears and one he-dear appeared on the scene. Each one of them pleaded with him, to give some time duration to get some urgent work done, and then return and reappear in front him, to get killed by him. Each one of them, preached him about several spiritual aspects of earning good spiritual credits (Puṇya) and bad spiritual discredits or sins (Pāpa) via performance of good or sinful activities. They also described about the resultant good or bad consequences. The hunter enjoyed these discourses and agreed to allow those dears to go home and come back as per their promises. All of them did reappear just before the dawn of the next day. Lord Shiva was pleased by

a) the kindness shown by the hunter and his fasting and chanting of mantra ‘Shiva’ ‘Shiva’ ‘Shiva’ ‘Shiva’, on the auspicious Mahā Shivarātrī day, and

 b) the honesty of the dears to reappear on the scene.

Lord Shiva sent his servants (gaṇas) to pick up and place all of them in the heaven.

(to be continued….)

Dr. Dhananjay B. Ghare, Former Scientist, Indian Institute of Science, Bengaluru

Purāṇa : The Age-Old Ancient Story Telling Technique

– Dr. Dhananjay B. Ghare

Introduction: ‘Śaunaka’ group of sages carried out a ‘yāga’ for global welfare. ‘Sūta’ alias ‘Romaharśaṇa’ a wandering monk, expert in telling spiritually symbolic stories in romantic hair-raising style and famous as ‘Purāṇika’, frequently visited them. Some families in Maharashtra and north Karnataka area have ‘Purāṇika’ as their surnames, most probably because their ancestors used to present ‘Kīrtana’s’ embedded with stories from Paūrāṇika literature.

Śaunakaadika (representative of ‘Śaunaka’ group of sages): Welcome Sūta Mahāṛṣi. Your guru Vyāsa Mahāṛṣi made unbelievably huge and excellent contributions to Vedopaṇiśadic philosophy and literature within a single human life spam. He is therefore respected as divine incarnation of Lord Viṣṇu. Later, why did Vyāsa created Paūrāṇic literature?

Sūta: Vyāsa Mahāṛṣi first condensed the huge ‘Vedic’ literature (1000,000,000 stanzas, Śata koti pravistāram) to just about 10,000 most important stanzas. Then, he divided them in four major topic-based groups (Ṛgveda, Yajurveda, Sāmaveda and Atharvaveda). He passed on the responsibility of study and maintenance of these four Vedic literatures, to four of his sharp, intelligent, best students. Then, he thoughtfully made the Vedic-knowledge, available in memory friendly, interesting, mind bogglingly attractive Paūrāṇic symbolic story formats. This way, it has become easily digestible and interesting to children, youngsters and common man possessing average, below average levels of intellectual capability.

He selected 18 major and 18 semi-major topics and composed 18 Purāṇa and 18 Upa-Purāṇa texts. He designed and authored this literature full of symbolic stories. Each one of this ‘Purāṇa’ & ‘Upa-Purāṇa’ texts, includes information about all important theoretical Vedopaṇiśadic concepts and knowledge. These texts are recognized as 18 Mahā Purāṇas and 18 Upa-Purāṇas. For millenniums during pre-Macaulay British-rule periods in India (3000 BC to 1850 AD), these texts were taught to children, during their initial primary and secondary school type education. Study of Veda and Upaniśad texts was reserved for extraordinary children (like Ādi-Śankara) and brightest youngsters qualifying for highest level of education.

The word ‘Purāṇa’ means old, ancient. It is also often used to mean lengthy or prolonged. This literature by sage Vyāsa is compatible to get spread via mouth-to-mouth story telling mode, from grandparents to grandchildren. In the evenings, Indian village temple halls and outskirts were used, to conduct orally communicated mass education via

a) moral, spiritual stories ‘kathā-kathāna’ (‘kirtana-bhakti’) by speakers and ‘listening’ (‘śravaṇa-bhakti’) by the audiences and

 b) singing divine praises, mantra phrases and devotional prayers (‘bhajana’) programs, based on stories from this Paūrāṇic literature of sage Vyāsa along with songs, abhanga’s, doha’s authored by later poets and saints like Mīrābaī, Narasi Mehatā, Purandaradāsa, Dnyāneśvara, Nāmadeva, Tukārāma etc.

Names of 18 Mahā Purāṇa texts designed and composed by Vyāsa Mahāṛṣi are:

1) Brahma Purāṇa 2) Padma Purāṇa 3) Viṣṇu Purāṇa 4) Shiva Purāṇa 5) Bhāgavata Purāṇa 6) Nārad Purāṇa 7) Mārkaṇḍeya Purāṇa 8) Agni Purāṇa 9) Bhaviśya Purāṇa 10) Brahmavaivarta Purāṇa 11) Linga Purāṇa 12) Varāha Purāṇa 13) Skanda Purāṇa 14) Vāmana Purāṇa 15) Kurma Purāṇa 16) Matsya Purāṇa 17) Garuḍa Purāṇa and 18) Brahmāṇḍa Purāṇa

Some minimum stories related with vital information about the three Supreme Gods 1) Lord Brahmadeva, 2) Lord Viṣṇu, 3) Lord Shiva and their consorts 1) Sarasvati, 2) Laxmi and 3) Umā alias Pārvatī are included in every one of all 18 Mahā Purāṇas and 18 Upa-Purāṇas texts. Briefest information about all eighteen Purāṇa texts:

1) Brahma Purāṇa (10000 verses): Everything present in any form at present, must always be present in some form or other, during the infinite time-space of the past and the future. In other words, it is immortal in it’s true nature, but gets transformed in different forms with passage of time. This ancient Indian Vedopaṇiśadic principle is restated in the modern Scientific language as a law of ‘Thermodynamics’. Viz. ‘Energy can neither be created nor be destroyed’.  This indestructible ‘essence’ inside everything, is called ‘Brahmatatva’. Lord Sūrya is the nearest glaring example of divine ‘Brahma’ Energy. Brahma Purāṇa describes history of all Universes and includes praises of Lord Sūrya as typical example of divine Brahma and describes his wonderful temple at Konark, Odisha.

2) Padma Purāṇa (55000 verses): ‘Padma’ means lotus flower. Lord Brahmadeva symbolising the ‘Creativity’ of Mother Nature, is hypothesised to have got born in a symbolic ‘Lotus’ flower oozing out of the navel of Lord Viṣṇu. This Purāṇa describes birth rebirth cycles of Universes and is a good guide for pilgrimages in Indian subcontinent. Important features of Padma Purāṇa are, it includes ‘Bhagavadgītā Māhātmya’ with a symbolic story related with teachings of each chapter and a beautiful commentary on each chapter of ‘Bhagavadgītā’. 

3) Viṣṇu Purāṇa (23000 verses): Meaning of the word ‘Viṣṇu’ is ‘pervading and occupying the entire pervaded space’. Lord Viṣṇu is mythologically regarded as the divine power responsible for ‘sthiti’ meaning current state or status of the Universe. Chāturvarṇāśrama-dharma is advocated as important tradition for proper maintenance of human society and its genetic racial diversity structure forever.

4) Shiva Purāṇa (24000 verses): ‘Shiva’ means pure, auspicious, divine. Lord Shiva represents natural divine purity and auspiciousness within everything. Lord Shiva also represents ‘tamo guṇa’ meaning maximum, peaking, maximisation, extreme etc. Shiva Purāṇa contains information about a) incarnations of Lord Shiva and b) important ‘vratas (e.g. Ekādaśī, Pradośa, Shivarātri, Somavāra) and c) varieties of worships for pleasing Lord Shiva and reaching his abode ‘Kailāśa’.

5) Bhāgavata Purāṇa (18000 verses): Repetitive natures of birth, expansion, spread and death after a certain lifespan of Universes are described, with focus on roles played by Lord Viṣṇu as a divine guardian and his 24 incarnations. Highlight is focused on Lord Kṛṣṇa’s incarnation.

6) Nārad Purāṇa (25000 verses): Sage Nārada, devotee of Lord Viṣṇu constantly reciting ‘Nārāyaṇa’ recommends numerous forms of ‘devotion’. Singing praises of God’s divineness (‘Kīrtanam’) is recommended as the best way of pleasing Gods. Includes information on ancient Indian Mathematics, astronomy and astrology.

7) Mārkaṇḍeya Purāṇa (9000 verses): Important feature is it includes ‘Devī Māhātmya’, Durgā Saptaśati, a ‘Śākta’ treatise on Goddess ‘Śakti’, ‘Chaṇḍī’ or ‘Durgā’.

8) Agni Purāṇa (15400 verses): Lord ‘Agni’ represents ‘Thermal Energy’ which exponentially accelerates all natural activities. This text includes ‘Encyclopaedic’ information on spiritual progress via Śaivism, Vaiśṇavism, cosmology, etc. and materialistic progress via ancient Indian geology, mining, gemology, engineering, vāstuśāstra, architecture etc.

9) Bhaviśya Purāṇa (14500 verses): Forecasts possible events in future using the trends in the past history. Advocates good moral and spiritual activities today, to ensure possibilities of good prospects for ‘Future’.

10) Brahmavaivarta Purāṇa (18000 verses): ‘Brahma-vaivarta’ means metamorphosis of ‘Brahma’. This text projects Lord Kṛṣṇa and goddess Rādhā as Mūla-Prakṛuti and Puruṣa pair.

(Source of Image: https://twitter.com/Anshulspiritual/status/1348996464060452866/photo/1)

11) Linga Purāṇa (11000 verses): ‘Linga’ means important ‘sign’ of identification. ‘Shiva linga’ (representing ‘Universe’ in cylindrical coordinates), is used as a ‘sign’ to worship Shiva.

12) Varāha Purāṇa (24000 verses): ‘Varāha’ means wild boar, and an incarnation of Lord Viṣṇu to kill demon ‘Hiraṇyākśa and save ‘Earth’ from his clutches. Astronomically, this story represents an event which is hypothecated to have occurred at the time of beginning of ‘Śveta-Varāha-Kalpa’ period. This Purāṇa text includes ‘Dharmaśāstra’ or ‘rules and regulations’ for good moral conduct and behavioural pattern to ensure healthy, happy life.

13) Skanda Purāṇa (81000 verses): Skanda represents a six faced God and son of Lord Shiva. This Purāṇa advocates pilgrimage ‘Tīrtha-yātrā’ to please all Gods and to raise one’s spiritual status. Describes geography of pilgrimage centres in Indian subcontinent.

14) Vāmana Purāṇa (10000 verses): Describes the Vāmana incarnation of Lord Viṣṇu and advocates pilgrimages for spiritual upliftment.

15) Kurma Purāṇa (17000 verses): ‘Kurma’ means a tortoise, an incarnation of Lord Viṣṇu during churning of ‘Kṣīra Sāgara’ (ocean of milk ‘milkyway’). Includes related stories.

16) Matsya Purāṇa (14000 verses): ‘Matsya’ means a fish, an incarnation of Lord Viṣṇu, during ‘Jala-Pralaya’ deluge, to save king ‘Manu’ and samples of a lot of important living species. This text Includes a) Vāstuśāstra focussing on building temples, sculptures and b) guidelines for charity, yoga and morally creditable behaviour patterns. etc.

17) Garuḍa Purāṇa (19000 verses): ‘Garuḍa’ means eagle, the carrier ‘Vāhana’ of Lord Viṣṇu. Includes civil engineering concepts and recommendations on duties of King, common man etc.

18) Brahmāṇḍa Purāṇa (12000 verses): Brahmāṇḍa means ‘Universe’, which is estimated to look like a huge ‘egg’ in shape. This text includes popular ‘Lalitā-Sahasranāma’ and ‘Adhyātma Rāmāyaṇa’.

Dr. Dhananjay B. Ghare, Former Scientist, Indian Institute of Science, Bengaluru