Names of Kṛṣṇa and Arjunā in Bhagavadgitā : An Appeal for Awakening (Part-II)

Continued from Part-I

Prof. C.L.Prabhakar

Kṛṣṇa calls different names suitable to the context of the message, answers guidance, clarifications, assertions and more by suitable expressions appealing and awakening the need of the situation. Arjunā’s quest and doubts are removed saying that he will not be a killer and a sinner however. He would not be a sinner by fighting and defeating his own kith and kin even though he kills them. The names thus with which Arjunā was called by Kṛṣṇa are these: Internal evidence shows that Arjunā’s character is screened and real expectations are awakened in Him. Actually he shirked to fight gripped by Klaibya and Hrudaya-daurbalya. He got into the crisis of moha and loss of smṛti in respect of bounded duty as kśatriya.

Anagha :  Pure. Sin free Arjunā is afraid that due to war fighting he would be sinner. Kṛṣṇa with this call assures he is not getting sin when he attends kśatriya dharma at that juncture.

Anasuya : Not having jealous normal.

Arjunā : White, pure clean slate ready to grasp and ready to be instructed rightful ways of action, opened for corrections.

Bharatasreshtha : Best among citizens of bharat the  native land.

Bharatasattama :  Strong enough among the citizens belonging to Bharat.

Bharatarshabhha : He belongs to Bharata clan and he thus Bharatas. He is best among such group of native men.

Bharata :   He is native of Bharat.  Here the love and commitment to the devotion of Bharat in securing the Dharma in the land. This name is used as addressal to  Arjunā by Kṛṣṇa  three times to awaken the rāṣtrabhakti in him.

Dehabhrtamvara : Best among all holding to the body and its nature and behavior.

Dhananjaya : Victor in the battles and bring good booty after the war to the masters of his support. A war is called as  dhana samsad.

Gudakesa : Victim of the influence of the senses. Loses control over senses and emotions ordinarily.

Kapidhvaja : Having Hanuman over his flag on the top of his chariot.

Kiriti : Known for victory always the kiritas, crowns of kings  are unstable when he goes to fight while his kirita remains firm, success is sure.

Kurupraveena : Best among the people of the Kuru vamśa he is best.

Kurunandana : He is the son of Pāndu of the Kuru family. He would be delight to the Kuru family. He delights the Kurus with his exploits too.

Kurusresrehtha :  He is eminent among the warriors of the Kuru dynasty.

Kurusattama : Better person among the Kuru People.

Kaunteya : Son of Kunti attached by sentiments, land and  family.

Mahabahu : Strong shouldered symbolic to signify the irresistible strength in his bahus that wields weapons. So he can fight long in the war with out fatigue but with success usually.

Maasucah : Pure . cf., Kṛṣṇa assuring  Arjunā that he would relieve him from sinning (Aham tvaam sarvapāpebhyo mokshaishyāmi 18.66) Kṛṣṇa ensures that war and success would not defile him at all. He is agree to get reward unaffected. Only once Kṛṣṇa complements thus like the calling Arjunā as Taata.

Manada : Provider of respect to the other recognizing their honour.

Paramtapa :  He severs enemies and enhances their fear and defeats them.

Pandava : Belonging to the children of Pandu raja. He takes the name of his father who ruled the land in place of his brother Dhrutarashtra.

Pārtha : He is earthly and having all ordinary human qualities known for attachment and emotions. Also means a royal person.

Purusharshabha : He is best among Purushas, the Men , the warriors.

Savyasacee : Capable of fighting in the war with both hands with equal felicity. This is unique fame to Arjunā. He reached top in that skill in war.

 Taata :  Boy  innocent and affectionate to elders. Affectionate calling only once the name is used by Kṛṣṇa. One who does well shall never fall and be a sinner.

All these names referring Arjunā and his capabilities and eminence as recognized by Kṛṣṇa go to screw up the mood and remove dispiritedness in him. All   that gripped him temporarily. It is ‘nāma mahimā’; that appeal and awakening got ignited. That quality in the individual names addressed to Arjunā reminded the commitment he had at an hour of crisis when his participation was a keynote for protecting dharma. Therefore the action depends upon the kind of addresses made to the concerned individual to wake up and give up shiredness. Lord Kṛṣṇa had done this sensitively that Arjunā realized his duty.

These names when we reflect, we realize they speak the personal and impersonal antecedents and features latent in each other. It lends scope for improvement in the respective perspectives of personalities. When Kṛṣṇa’s names are seen they are suggestive that the Lord is human and divine but committed to make the human- a human caring dharma from their ends. Actually some of the features of them look common to all. Humans are placed in different circumstances and situations in life. They are marked by their Jāti, Varṇa, Deśa, kāla and such miscellaneous occasions. Gitā containing the words of Lord Kṛṣṇa resolve and action that is warranted is activated. Need be viewed that it is a text relevant for us. There is lot of appeal to conscience and nature. Arjunā is no different from us. We are like him only always facing doubts and fears of sin and follies.

There is scope for awakening and appeal for action. We can lead a life of fulfillment in case we get chance to have a learned person to counsel us. To be modern, we may cite Vivekananda who maintained a word of awakening thus : ‘Arise, Awake , Stop not until the goal is reached’. We are the servants of Rama-Kṛṣṇa.  Here Kṛṣṇa signified by work and extra skill to accomplish the validity and establishment of dharma. We are all the children of immortality (amṛtasya putras vayam). We obtain Mukti. If the yogas 17 of the Gitā are understood and practiced, viṣāda vanishes. It is true. Viṣāda is the foundation of improvement. Birth is viṣāda (sorrow).

Gitā impresses reality and facts relevant in our own day to day circumstances. We have dialogues participated by Sanjaya and Dhṛtarāśtra to begin with. Therefore Bhagavadgitā is for Action, Vidura Niti is polity and Vishnu Sahasra Nāma Stotra is for peace and Sanat Sujatīyam is for relief and Liberation. These four portions of Mahābhārata are regarded as Gems (Ratnas) of Mahābhārata. A study of the names of Kesav-Arjunās remains a source for personality awareness and progress to move to perform destined action and stand an example to world.

Prof. C.L.Prabhakar, President, Bangalore Chapter, WAVES-India.

Names of Kṛṣṇa and Arjuna in Bhagavadgitā : An Appeal for Awakening (Part-I)

Prof. C.L.Prabhakar

Bhagavadgitā is Ever Fresh. It is ocean of Guidance. It provides hope and solace for the life issues to all at all ages.  Bhagavadgitā is Mother extending grace and concern over people’s duty of paying attention to Dharma. Gitā is guide for spiritual sādhanā moves and sights. Therefore, there are several expressions praising Gitā and its eternal use. But the same is not availed for benefit for many. Keeping this in View many missions and associations came up to impress the value, validity of Gitā. It is said:

Gitā sugitā kartavya kamanyaih sastra vistaraih|

                                 Yat svayam padmanabhasya mukha padmat vinisrutam||  

(Gitā-mahatmya 4)

Gitā has to be well followed. What else is the use of other large amount of Sāśtras. This statement has come out from the mouth of Padmanābha Kṛṣṇa who is a teacher of teachers. This supports the Eternity of the value and validity of Gitā. Thus is the talk by Kṛṣṇa while Arjuna was sole recipient of the awakening set of yogas and instructions.

Pārthaya pratibodhitam  Bhagavata narayanena  svayam

                   vyasena grathitam purana munina madhyat Mahabharatam!

                        advaitamruta varshinim Bhagavatim ashtadhasaadhyaini…..

                                             … gite bhavadveshini

(Gitā Dhyana 1)

Gitā is the nectar of Advaita covering eighteen chapters disdaining the material comfort only and the incidence of rebirth.

Wholly knowledge of yogas has come out to answer the Arjuna viśāda yoga.  At chapter one, Arjuna expresses his fear of sin and so refused to fight. But Kṛṣṇa comes up with Karma, Bhakti and Jñana yogas to instill courage and clear the doubts in him. He even risked showing his Universal form when doubts and unfaith in talk lurked in the mind of Arjuna. While this famous dialogue between Kṛṣṇa and Arjuna there are addresals to Kṛṣṇa and Arjuna done by each mutually. That would be our enough effort to draw message and appeal hidden in them. At the same time awaken the sense of duty and right for execution. Kṛṣṇa says:

samvādamāvayoh jnāna  yajñena’

(Gitā 18.70)

Sanjaya said as he remembered the dialogue, he gets elated and happy. Further the dialogue is ‘adbhutaṁ’, ‘roma harshanaṁ’, ‘param guhyaṁ’ and ‘punyaṁ’. Sanjaya terms it as: one emerging out of significant dialogue of Kṛṣṇa and Arjuna and adds that he felt elated very much (18.75). The same could be experience to anyone who followed the dialogue with diligence.

II

Let us enlist the names with which Arjuna called Kṛṣṇa at first. It is interesting to note that Acyuta is the constant address to open dialogue and conclude the dialogue.  In 18th chapter of the Gitā, Kṛṣṇa is Hṛṣīkeśa althrough while Arjuna is ‘Pārtha’ and Gudākeśa just to differentiate the difference between the Narāyana and Nara, the Arjuna. They mean just opposites namely Kṛṣṇa has control of senses while Arjuna is with in the grip of senses. So only the introductory stanza goes thus: saying that Narāyan imparts the teachings to Pārtha at the crisis. This is knit together by Vyāsa, the Purana Muni in the mid point of the body of Mahābharata. The teaching amounts to Advaita and it is amṛta showered on the ambiguous mind of Arjuna. The amṛta-varśa dispelled the doubts and suspicions and superstitions from the mind of Arjuna. Arjuna is made very happy forgetting his mental status touched when Kṛṣṇa showed him the viśvarupadarśana (the universal Form imbibing any and everything of the creation), the final mode of solving the lurking rather impeding confusion in the mind. It is to clear the Vimudhatva in Arjuna who is liable for change and understanding resulting in right action. Kṛṣṇa said ‘Act as you please’

‘yathecchasi tathā kuru’

(Gitā 18.63)

The decision was he was made to get rid of the cowardice, diffidence and moha. He got the light of truth and the real memory of Jāti and Kula Dharma became activated. He considered that he would not be sinner when Kṛṣṇa has done what he has to do in reality.  It is to the show of the world outside. In essence the dialogue gave rise to appeal and awakening on either side to ignite right action.  War was only solution for Kṣatriyas to resolve the Dharma. It is so because the ruling goes yato dharmah tato jayah (Mahābhārata). Success is always inclined at the reach of Dharma. Kṛṣṇa’s target was Dharma-samsthāpanā namely to establish Dharma only however.  Lord Viṣṇu descends to set right the Right.

III

The names of Kṛṣṇa with which Arjuna addressed Kṛṣṇa look very suggestive of his nature and powers. They stand to appeal to the Lord to guide him relevantly.  He is seen looking at Kṛṣṇa in many angles, forms and ultimately as friend and God. In like manner, Kṛṣṇa too looked upon Arjuna as a capable hero but disturbed momentarily at the sight of the opposite Army that contained his kith and kin too. Basically Arjuna was gripped by emotions and sentimental feelings.. That was a matter of viṣāda in him.

Now the respective names of Kṛṣṇa and Arjuna are taken to discussion briefly-  

The meanings of the names get understood relevant to the addressals done by each other. It is the nāma mahimāthat kindles the sense of appeal and awakening.  Besides that the personality traits, build of character and suitable action are suggested. The way name is called out supports the action warranted thereafter. Arjuna is looked upon more times as Pārtha meaning quite, materialistic and terrestrial.  He seemed to be elevated to the sense of duty at that critical juncture as a warrior best and care for the duty of a kṣatriya.  

Acyuta: this is the standard name to Kṛṣṇa at all times, meaning he never shakes nor looses courage and confidence. It is derived thus: ‘na cyutih, nasah yasya sah acyutah. In other words, all others in the creation are liable for ruin and disappearance. It is ‘cyuti’ meaning nasa. Finally Arjuna calls him Acyuta. Assenting to the appeal by Kṛṣṇa to war. He said ‘Naṣṭo mohaḥ smṛtirlabdhā tvatprasādānmayācyuta’ (18.73). All the way memory and extra love sentimental bothered Arjun althrough.

Ananta : Infinite. All in all, endless.

Apratima Prabhava :  Matchless, valor and influence. Unfailing in plans and desires.

Arisudana : victor over enemies. Slays wicked enemies.

Adyah : He is erstwhile in existence before anyone. Kṛṣṇa is God who exits before anything came into the being.

Bhagavān : means possessor of all that characterizes of Bhaga. Bhaga implies ability in the features like creation, destruction etc. that belong to people and nature.

Bhutabhavanah : He thinks of the beings and attests their thinking and connectedly supportive.

Bhutesah : He is the leader of all beings irrespective the category known.

Devadeva : the leader of such Brilliant gods (the Viṣṇu). In a feeling of over joy Arjuna calls Kṛṣṇa at a stretch with several names especially when Kṛṣṇa showed his universal form (viśvarupa).  

Devavarah : well elected and best of all the brilliant people like bright righteous people, gods etc.

Devesa : the commander of   workers  to make the good to happen.

Govinda : He makes the land and people happy. He is the custodian of Knowledge and Happiness.

Hṛṣīkeśa : Who has hold on Indriyas. They never drop down. They remain standardized and never swerving in the circumstances. Indriyanigraha is a great feat but it is natural to him.

Janārdana : means Protector of people indifferent to their differences and distinctions like sun and Moon. Janārdana is everybody’s protector. So, Arjuna calls Kṛṣṇa at right situation. Kṛṣṇa was promoting war with the Kauravas and kill them. As Janārdana it is sin prompting him to do pāpakarma. It was the suggestion to Kṛṣṇa when he called him thus.

Jagannivasa : though he is elsewhere fixed, he is not away from the creation and situations. Involved in the crisis and solution of the orders.

Jagatpate : He is lord of Jagat the combination of mobile and immobile objects in creation. He is inseparable and identical with all.

Kamala Patraksha : his eyes are beautiful as beautiful as the lotus flower. Here the looks are pleasant and attractive that fear is dispelled at his sight.

Kṛṣṇa : He is the Attractor  ‘aa karshati iti Kṛṣṇah’ He pulls attention of all towards him.

Kesava : connected to creation that comes out of Water. No creation is possible without water, the divine support. The first appearance of the Lord is in waters lying in restful state.

Kesinishudana : He killed another demon by name Kesi and this demon was a special kind of rākṣasa but a bhakta. His name he took in is fame.

Madhusudana : ‘Madhu’ is a Demon by name.  The slayer of that demon is Kṛṣṇa. A queller of Evil and Negativity.

Mahabaaho : Strong shoulders meaning skilled in war and courage to face any inimical person or circumstances.

Mahatmā :  Great soul able to get elevated outlook of his own self.

Paramesvara : There are many overlords, the leader and monitor of all of them to keep the work well organized.

Purushotthama : He is Puruṣa, one with the creation but ranks always high. Looked upon by people for help and suggestion. In Puruṣa sukta of  RV Narāyana is Puruṣa.

Prabhu  : He is one controlled by himself over his own being and actions.

Sarvesah : He is monitor of any and everything in the creation.

Sahasra bāhu : His strength is number with the thousand shoulders, hands. It bespeaks his war skill and never failing in exerting physical strength. Bahu is symbolic of power and potency.

Yādava : He belongs to the Yādava community, which is known for service to society.

Yogeśvarah : The teacher and mentor of Yoga that joins the individual to make him enhanced of powers and hope.

Varsheya :  He belongs to the clan of Vrushni and it a natural identity to him as he is mānava avatara too besides divine inset in  his personality.

Vāsudeva : Son of Vāsudeva.

Viśvamurti : He is figure of all.  All forms are his own.  He is in everybody.

Viśvesvara :  He is overlord of  the Universe and every object.

Viṣṇu : He is present any and everywhere all the three times.

Yogi : Focused person a Disciplinarian.

In all these names we notice the mention of power and ability and vested capacity in Kṛṣṇa that He would be good Guide par excellence. Further the names have special intonation with reference to his talk made to arjuna and arjuna responding in dialogue.

Continued to Part II

Prof. C.L.Prabhakar, President, Bangalore Chapter, WAVES-India.  

Indian Festivals based on the Concept of Yajña (Part-III)

Continued from Part-II

-Sh. Anand Gaikwad

Festivals during Māgh, Fālgun, Chaitra and Vaiśkha:

Mahāśivrātrī: This festival is celebrated on the 14th day of Kriśna Pakṣa in Māghmās. This is celebrated with great pomp and glory at twelve Jyotirlinga places i.e. Kedarnāth, Baidyanath, Kashi Vishwanath, Somnath, Mallikarjuna,  Mahakaleshwar, Omkareshwar, Nageshwar, Ghrishneshwar, Tryambakeshwar, Bhimashankar, and Rameshwar. When the twelve Jyotirlingas come for discussion, I must mention their importance for Suvrushti Projects. “Suvrushti’ means ideal, adequate and well-distributed rainfall. The inspirational Research Paper which has been the basis of Suvrushti Pojects undertaken by Vedāśram; was the paper submitted by a primary teacher from Bihar in 1950 to our then President Dr. Rajendra Prasad. The summary findings of this research paper was that Twelve Jyotirlingas are the Holy Fire Places (nodal centres of Sacred Fires) which attract and accelerate the Monsoon Cycles in Bhārat Khand i.e. India. If a series of Somayāgas are performed during dry season (Rain Conception Period) at these twelve Jyotirlinga places, Bhārat Varsha will get Suvrushti-timely, adequate and well-distributed rainfall during wet season throughout the country. This theory and RCRD Theory of Varāh Mihir were validated during the Suvrushti Projects undertaken by Vedāśram in 2005-06 and 2015-16. The reports of these Suvrushti Projects have been published in Asian Agri-History Journal published by Asian Agri –History Foundation.

On the day of Mahāśivrātrī in the ceremonial pūjās, Devas are invited, Śiva is invited, Yajñā is performed. Offerings are made with chants and devotional songs. Rudra Swahakars are performed at most of the places. At our Homa farm we also organize” Rudra SwahakarYajñās” periodically but not necessarily on Mahāśivrātrī Day.

“Rudra Swahakar”Yajñā being performed at the Farm

Holī: On the full moon day of Fālgun, Holī is celebrated throughout India. Holī has religious, philosophical, spiritual and seasonal significance. In India, the Agri-eco production system has basically two cropping patterns in a year i.e. Kharip crops and Rabbi crops. Kharip crops mature during Aświn-Kārtik (Oct. /Nov.) and Rabbi crops mature during Fālgun to Vaiśkha (Jan. to April). It is our Vedic tradition that new produce of crops is first offered to Agni Devatā and Sūrya Devatā which are the main sources of cosmic energy and then we start having it as food to nurture the life bio-energy within us.  In Sanskrit the word ‘Holak’ means raw (just reaching maturity stage) cereals and grams roasted in bonfires of dry cow-dung patties, wood and grass stalks (remains from the fields). Holī as a colourful festival has significance in many ways. The first and foremost is the process of Yajñā. Holy Bonfires are lit and offerings of sweets and snacks prepared from new season’s crops are made to Agni Devatā and Sūrya Devatā. Incense sticks and lamps are lit and sacred fires, which represent success of good over evil, are circumambulated thrice with slow pouring of water from the containers. The next day is celebrated as “Dhulīvandana” where, ’Bhūmi’ or ‘Prithvī’ is recognized and appreciated. From Dhulīvandana to Rang Panchami it is celebrated as a colourful festival representing colours of spring flowers and nature’s beauty and bounty. It is a joyful festival of throwing on or smearing others with colours without any discrimination. In the bonfires, old furniture, dead wood, prunnings of trees and waste material of crops are burnt as and by way of “Holikā Dahan” for “Space Clearance” (discarding old and welcoming new).

From Puraṇas, one story which is associated with “Holikā Dahan” is the story of Bhakta Pralhād and ‘Dhundha’ or ‘Holikā’ Hiranyakashyapu’s sister. Holikā had a boon that she will not get burnt in fire i.e. she had protection from fire. Hiranyakashyapu, the Rakṣasa was against the worship of Lord Vishnu by his own son Pralhād. Since Bhakt Pralhād was not ready to give up worship of Lord Vishnu, Hiranyakashyapu ordered that Pralhād be burnt alive. For that purpose he made Holikā to take Pralhād in her lap and lit a big fire. But with the grace of Lord Vishnu Pralhād was saved and Holikā got burnt into the fire, thus representing the success of virtue over vice.

Jyotir bhaskar Jayant Salgaonkar, the founder and author of, “Kālnirṇaya Panchāng” (published in many Indian Languages) describes in his book, “Dharmbodh” a ‘Vrita’ or ’Anuṣṭān’ (practice) called “ Vanhi Vrita” which is related to Agnihotra / Yajñā. Vanhi Vrita is started on the 14th day of Fālgun Kriśna Pakṣa or one day prior to Fālgun Amāvasyā. On this day an idol of Agni made from any metal or five metals is worshipped and offered cow-ghee, til (sesame seeds) and sugar with mantra, “Agnaye Swaha!”. Agni is worshipped because Agni is the connecting link between man and Devatās like Indra, Varun, Ādi Śakti, Lord śiva and Vishnu. During Holī all elements i.e. Prithvī, Āp, Teja, Vāyu are worshipped and readiness is made for celebration of the fifth element,’ Ākāś’ on the following first day of Chaitra i.e.’ Gudi Padava’ by hoisting well decorated/adorned Gudis or flags pointing towards Ākāś’or Space, which is the mother of all other elements, for auguring well the  “ New Year” as per Hindu Calendar.

Rāmnavamī Navrātra: This is celebrated as birth-day of Lord Rāma. In some parts of the country Yajñās like, “Vishnu Yāga” are performed.

Akśaya-Tritīya/Paraśurām Jayantī: Akśaya-Tritīya is supposed to be an auspicious day as per Hindu calendar. On this day also some Yajñās/ Homas are performed. Lord Paraśurām had initiated Param Sadguru Shri Gajanan Mahāraj of Akkalkot Maharashtra, to rejuvenate the Vedic Yajñā system and also the Vedic Way of Life. Followers of Param Sadguru Shri Gajanan Mahāraj perform Havans on this day while celebrating Paraśurām Jayantī.

Vedic Yajñā System and Festivals based on the concept of Yajñā:

Our Vedic Yajñā System broadly consists of Yajñā  performances during “Sandhi Kāl” or “Sankraman Kāl” as Nityakarmas for restoration of atmospheric order, ecological and seasonal balance and ensuring Suvrushti  i.e. good, adequate and well–distributed rains –“ निकामे निकामे न पर्जन्यो वर्षतु-“ “Nikame Nikame Nah ParjanyoVarśatu!”. Apart from these Yajñās there are various Naimittik or Kāmya Yajñās which are prescribed in Vedic system including Homas and Havans which form part of Sixteen Hindu Sanskāras. The Yajñā System for ecological balance, good rains etc. consists mainly of the following :

  1. Agnihotra (Smārta/ Shrouta)— ‘ Nitya’ Daily at the time of sunrise and sunset as per circadian cycle.
  2. Darshya-Poorna Māsya (Smārta/ Shrouta Eshti )— ‘Nitya’ Fortnightly  on Full-Moon/ New Moon Day as per Moon Cycle.
  3. Chaturmāsya Yāga (Shrouta Eshti )—‘Nitya’ during Sandhi Kāl i.e Transition Period of change in Seasons as per Cycle of Seasons. This is also called as Medicinal Homa for healing the Atmosphere.
  4. Somayāgas– ‘Nitya’ during Sharad Ṛtu and during Vasant Ṛtu.” वसंते वसंते ज्योतिस्तोमेन यजत” –“ Vasante Vasante Jyotistomen Yajat!”.
  5. Parjanya Yāga—‘Naimittik’- During Rainy Season when one or two Nakṣatras have gone dry and Bhūmi is “Vrishti Kāmu”, i.e, when the land is desirous of rains for sowing new crops (new life).

( Nitya = Regular ,  Naimittik = Occasional for specific purpose)

From the above it will be clear that Agnihotra can be performed individually by anybody, however for performance of Shrouta Yajñās, particularly so in case of “Sapt Somayāgas”, you require Ritwijas well versed in all Vedas. Our great Rishis had anticipated that if Shrouta Yajñā System gets dwindled or out of practice for whatever reason at least the festivals based on Yajñā Concept will be celebrated by mass-participation; for the purpose of keeping Atmospheric Order and Ecological Balance and also to safeguard cultural traditions. Since Yajñās are related to environmental protection, purification/ restoration of atmospheric order, ecological balance and ensuring good rains during Monsoon Season it is important to understand the relevance of Verse 28 and Verse 30 of Chapter 21 of Brihat Samhitā:

भद्रपदाद्वयविश्र्वाम्बुदेवपैतामहेष्वथर्क्षेषु |

सर्वेष्वृतुषु विवृध्दो गर्भो बहुतोयदो भवति ||२८||

“Bhadrapadādvaya Viśvāmbudeva Paitā Maheṣvathkṣerṣu \

Sarveṣvṛtuṣu Vivṛddho Garbho Bahutoya Do Bhavati  \\28\\

The Rain-foetus that develops when the Moon stands in any of the five asterisms viz. Purvabhādra, Uttarabhādra, Purvaṣadha, Uttaraṣadha and Rohiṇī in any season will yield plenty of rain. Also

मृगमासादिश्वष्टौ षट् षौडश विंशतिश्र्चतुर्युक्ता |

विंशतिरथ दिवसत्रयमेकतमर्क्षेण पन्चभ्य: ||३०||

Mṛgamāsādiśvaṣto  Ṣat Ṣodaś Vimśatischaturyuktā |

Vimśatiratha Divasatraya Mekatamarkṣeṇa Panchabhyaḥ ||30||

Rain-foetuses coming into being when the Moon is in conjuction wih any of the aforesaid asterisms during the month of Margaśirṣa, Pauṣya, Māgh, Fālguna, Chaitra and Vaiśakha; will yield rain after 195 days for 8,6,16,24,20 and 3 days respectively.

Thus celebration of and participation in the festivals based on Yajñā concept by masses ensures restoration of Atmospheric Order, Eco-Seasonal balance and good rains during the rainy season. This is the great wisdom and sagacity of our Ṛṣis and Seers in interweaving seamlessly the festivals based on Yajñā concept in our social and cultural life. Therefore these festivals should be celebrated with proper understanding of the Yajñā concept incorporated into them and not simply by way of fun and frolic or introducing any pervert way of celebration. The sanctity of Yajñā, Agni Devatā and Sūrya Devatā has to be kept in mind in the joyful celebrations of these festivals.

References:

  • Panditabhushan Sastri VS & Bhat MRV, “Varāh Mihir’s Brihat Sanhita” With an English Translation  and Notes . V.B. Soobbiah & Sons Bangalore City.1946.
  • Jyotirbhaskar Jayant Salgaonkar, “Dharmbodh” (in Marathi) Jaya Ganesh Mandir  Nyas, Medha Malwan, Dist-Sidhudurga Maharashtra 2011.

Sh. Anand GaikwadKrishi Bhushan Sendriya  Sheti  M. S. & Retd. Executive Director/Company Secretary

श्री परशुराम आधारित अवतारवाद-विश्लेषण

-डॉ. श्यामदेवमिश्र

आज के सामाजिक अस्त-व्यस्तता के युग में क्रांतिकारी विचारों की आवश्यकता है। परशुराम के जीवन अवतार की वर्तमान में प्रासंगिगकता और अनुकरणीयता को प्रस्तुत आलेख में स्पष्ट करने का प्रयास किया गया है।

(Editor’s note)

अवतारवाद का औचित्य

परब्रह्म-तत्व को मन और बुद्धि से नहीं जाना जा सकता है अत:, उसके विषय में चिन्तन करने के लिए जितने भी उपाय शास्त्रों में वर्णित हैं उसमें ‘अवतारवाद’ सबसे उत्तम कहा जा सकता है क्योंकि जब निर्विशेष (अर्थात् गुण, आकृति आदि से रहित) ब्रह्म बुद्धि में आ ही नहीं सकता है तब उसकी उपासना कैसे सम्भव होगी? ऐसे में मनुष्य, प्रत्यक्ष दिखाई पड़ने वाले पदार्थों में परमेश्वर के लक्षण देखकर उन्हें (उन पदार्थों को) आलंबन (सहारा) मानकर ब्रह्मभाव से उसकी उपासना करता है। उसमें भी, चेतना में – विशेषकर मनुष्यरूप में,  ब्रह्मत्व का भाव रखना तथा उसकी उपासना करना अत्युपयोगी व सरल है क्योंकि उपासक मनुष्य का मन अपने सजातीय में स्वाभाविक रूप से लगने के कारण उससे ही प्रेम करने लगता है जिससे, चित्त स्थिर हो जाता है । यही ‘अवतारोपासना’ है ।

अवतार की अवधारणा

सर्वत्र स्थित, सदा प्रकाशित, शाश्वत, एकरूप शक्ति के अतिरिक्त कोई भी शक्ति नहीं है जो हमारी ज्ञानेन्द्रियों में प्रवेश कर सके। वही चैतन्य शक्ति जब इन्द्रियग्राह्य होने के लिए स्थूल बनता है अर्थात् अपने उच्च स्वरूप से नीचे अवतरण कर स्थूल रूप धारण करता है, तब उसे ईश्वरीयशक्ति का अवतार होना कहते हैं। गीता के चतुर्थ अध्याय के छठे श्लोक “अजोऽपि सन्नव्ययात्मा ……सम्भवाम्यात्ममायया” में भगवान् स्वयम् अवतरण को स्पष्ट करते हुए कहते हैं कि मैं जन्मरहित, अविनाशी तथा सभी भूतों में रहते हुए भी अपने अनन्त-रूप-धारण-सामर्थ्य-सम्पन्नरूपी स्वभाव-धर्म-शक्ति का उपयोग करके अपनी माया से स्थूल जगत् में अवतार धारण करता हूँ।

दश अवतार

वराहपुराण के अनुसार दश अवतार क्रमशः इस प्रकार हैं –

  1. मत्स्य: कूर्मो 3. वराहश्च 4. नृसिंहो 5. वामनस्तथा
  2. रामो 7. रामश्च 8. कृष्णश्च 9. बौद्ध: 10. कल्की तथैव च ।।

इसमें छठे अवतार राम अर्थात् परशुराम थे। इसके अतिरिक्त पुरुषावतार, गुणावतार, मन्वन्तरावतार इत्यादि प्रसिद्ध हैं ।

cleanh3sha2uf_ael_2_300

(Source of image: http://vishnudashavatars.blogspot.in/2010/04/vishnu-dashavatar.html)

अवतारों के प्रकार

यद्यपि सभी अवतार परिपूर्ण हैं, किसी में तत्त्वत: न्यूनाधिक्य नहीं है; तथापि शक्ति के प्रकटन की न्यूनता-अधिकता के आधार पर अवतारों के चार प्रकार माने गए हैं –

1. आवेश, २. प्राभव, ३. वैभव और ४. परावस्थ

परशुराम, कल्की आदि आवेशावतार हैं। कूर्म, मत्स्य, वराह आदि वैभवावतार तथा श्रीनृसिंह, श्रीराम एवं श्रीकृष्ण परावस्थवतार या पूर्णावतार हैं ।

अवतार का प्रयोजन?

अवतरण हेतु आवश्यक परिस्थिति या उचित काल को भगवान ने स्वयं ही गीता में बताया है –

“यदा यदा ही धर्मस्य ग्लानिर्भवति भारत। अभ्युत्थानमधर्मस्य तदात्मानं सृजाम्याहम् ।।”

(गीता 4.7)

अर्थात् जब धर्म की हानि होती है और अधर्म का उत्थान होता है तब मैं अवतार लेता हूँ।

अवतार का प्रयोजन आगे स्पष्ट करते हैं –

“परित्राणाय साधूनां विनाशाय च दुष्कृताम् । धर्मसंस्थापनार्थाय सम्भवामि युगे युगे ।।”

(गीता 4.8)

अर्थात् सज्जनों की रक्षा करने के लिए, दुष्टों का संहार करने के लिए तथा धर्म की पुन: प्रतिष्ठा करने के लिए मैं हर युग में अवतार लेता हूँ।

विचार किया जाए तो किसी व्यक्ति, वस्तु या घटना की प्रासङ्गिकता अथवा समसामयिकता का निर्धारण एवं मूल्याङ्कन, काल तथा प्रयोजन के अधीन (सापेक्ष्य) है। ऊपर के भगवदुक्त श्लोकों से स्पष्ट है कि अपने अवतरण हेतु उचित काल तथा प्रयोजन-विशेष का निर्धारण जगत-नियंता (ईश्वर) के ही हाथ में है। अत:, सामान्य रूप से विचार करने पर सर्वाधिक-सर्वथा-उचित काल में समसामयिक व प्रासङ्गिक उद्देश्य से युक्त भगवत-अवतरणों की तत्तत्कालीन प्रासङ्गिकता स्वत: स्पष्ट हो जाती है । चूंकि, काल-क्रम से अधर्म की वृद्धि व धर्म की हानि युग-धर्म है अत: प्रत्येक युग में अवतारों की प्रासंगिकता भी उतनी ही रहेगी । किसी एक अवतार-विशेष को, चाहे वह परशुराम हों या अन्य कोई, इससे अलग  रखकर विचार नहीं किया जा सकता है। भगवदवतरणों के सम्बन्ध में (प्रासंगिकता, समसामयिकता और महत्त्व पर) इससे अधिक कहना पिष्टपेषण (चबाये हुए को चबाना) ही होगा क्यूंकि, उस विषय में भगवान स्वयं ही वचनबद्ध हैं-

“यदा यदा ही धर्मस्य ग्लानिर्भवति भारत। अभ्युत्थानमधर्मस्य तदात्मानं सृजाम्याहम्।।

(और उनसे अधिक काल और कालानुरूप प्रासङ्गिकता को कौन जान सकता है!!)

वैसे विचार किया जाए तो, प्रत्येक अवतार एक नायक ही तो है । इन अलौकिक नायकों (अवतारों) से इतर, समाज को नई दिशा दिखाने वाले स्वामी विवेकानन्द सदृश विशिष्ट-शक्ति-सम्पन्न लौकिक नायकों की प्रासंगिकता तो हर युग में रहेगी ही और फिर वर्तमान में तो, युग-धर्म के कारण, नितान्त अशक्त और नाना प्रकार के जञ्जालों में फंसे हुए मानवों के लिए, ऐसे नायकों का सम्पूर्ण जीवन-चरित्र ही प्रेरणादायक और अनुकरणीय होने के कारण और भी प्रासंगिक है। ऐसे में न केवल प्रभु के सभी रूप (अवतार) प्रासङ्गिक नज़र आते हैं अपितु इन अवतारों का स्मरण, अनुकीर्तन आदि ही समस्त दुखों का नाश करने वाला बन जाता है । कहा ही है –

“यस्य स्मरणमात्रेण जन्मसंसारबन्धनात्। विमुच्यते नमस्तस्मै विष्णवे प्रभविष्णवे।।”

जहां तक प्रश्न अवतारों के वर्ग (जाति) का है (विशेषकर, परशुराम अवतार में), मेरी समझ से अवतारों को जातिगत-दृष्टि से देखना किसी भी व्यक्ति के लिए (चाहे वह इतर अवतारों की अपेक्षा, अवतार-विशेष में विशिष्ट प्रीति रखने वाला हो या उसके विरुद्ध विचार या आचरण वाला हो) कतई न्यायपूर्ण या तर्कपूर्ण नहीं है। यह तो न सिर्फ उल्टे भगवान् को ही बांटने जैसा हो गया बल्कि उसकी अवतार-व्यवस्था के मूल पर ही आघात करने जैसा है क्यूंकि, जिसका अवतरण ही समाज को धर्मयुक्त व संगठित करना तथा समाज का कल्याण करना है उसको (विरोधी विचार रखने वालों के द्वारा) धर्म-विशेष, जाति-विशेष का प्रतिनिधिभूत मानकर अवतारविशेष के प्रति अरुचि या अश्रद्धा का भाव रखना अथवा कुछ दिग्भ्रमित लोगों के द्वारा, उस अवतार-विशेष को केवल अपने ही वर्ग का गौरव बताना नितान्त भ्रमोत्पादक व कलहोत्पादक है ।

परशुराम जी के विषय में एक अन्य बड़ा प्रश्न यह उपस्थित होता है कि जब वह अवताररूप हैं तब अन्य अवतारों की भांति उनका पुनर्गमन क्यूँ नहीं हुआ और वे चिरजीवी कैसे रह गये? वस्तुत: वैष्णव-परम्परा में परिगणित दश अवतारों में परशुराम आवेशावतार माने गए हैं अर्थात्, भगवदंश का आवेश उनमें है इसीलिये वे अंशावतार कहे गए हैं। आवश्यकता पड़ने पर, भगवदंश से आविष्ट परशुराम जी ने अपने अवतरण का प्रयोजन सार्थक किया और भविष्य में भी तादृश परिस्थिति उत्पन्न होने पर परब्रह्म (वैष्णवागम में प्रभु विष्णु) की प्रेरणा से वह पुन: अपने अवतरण को सार्थक कर सकें एतदर्थ ही वे चिरजीवी भी हैं। कहने का आशय यह है कि सामान्यत: वे मनुष्य-रूप होने के कारण चिरजीवी हैं किन्तु, परिस्थिति-विशेष में उनका, अन्तस्थ भगवदंशरूप आवेशावतार लोक-कल्याणार्थ प्रकटित होता है ।

 उपसंहार

सुनीति एवं सद्धर्म ही उन्नति का सर्वोत्तम मार्ग है। अतः, जो अधर्म एवं कुरीतियों का हटाकर इनकी प्रतिष्ठा करते हैं, वो महापुरुष कहलाते हैं। भगवान् परशुराम ने तत्कालीन समाज में व्याप्त अनैतिकता एवं राक्षसी प्रवृत्तियों का समूलोच्छेद करके सनातन धर्म की स्थापना की। निश्चय ही भगवदंशावतार श्री परशुराम का इतिवृत्त एवं जीवन-चरित्र का सतत अनुशीलन न केवल हमें अपने देश के गौरवशाली इतिहास का दिग्दर्शन कराता है अपितु अपनी संस्कृति व सभ्यता के रक्षार्थ सतत प्रेरणा का भी संचार करता है।

-डॉ. श्यामदेवमिश्र, सहायकाचार्य (ज्योतिष), राष्ट्रिय-संस्कृत-संस्थान, भोपाल परिसर,भोपाल, म.प्र.

Festival of Holi

-Mrs. Sushma SharmaIMG-20170305-WA0014-1

The colorful festivals of Hindus are an integral part of every Indian. They speak of India’s rich cultural and traditional background. The commonness in all the celebrations is that they rejoice humanity and promote basic human values. Indian festivals have many aspects in their significance, namely spiritual, philosophical, religious and cultural. The cultural aspects of festivals deal with the joyous expressions of music and dance, with people wearing beautiful traditional dresses. The celebration of such festivals is one of the key strengths of continuity of cultural values. Culture in India is related with agriculture on one hand, and religious ideals on the other. Holi festival’s cultural significance can be evaluated in both contexts. 

guj

Holi, the festival of colour is celebrated every year throughout India with a feeling of strong community bonding and excitement on the last day of Phalguna and the first day of Chaitra month of Hindu calendar. On the eve of Holi, people burn firewood namely ‘Holi’ and enjoy with dance and music making circle around it. On the next morning, they play ‘Holi’ with colors. People put colors on each other without any discrimination, and eat especial sweet preparations, especially Gujjiya.

It is a seasonal celebration of spring time after a long winter. In spring season new harvest gets ready and it is time of happiness for farmers and others. The waste material of crops is to be destroyed. The natural process of destroying the waste through fire is celebrated as Holika-Dahan.

In Puranas, the story of wicked and powerful king named Hiranyakashyap and his virtuous and divine young son, Prahlad, is associated with Holika-Dahan. Holika was the sister of Hiranyakashyap who got a boon from God that she will never be damaged or burnt by fire when alone. Later being in her arrogance she forgot the condition of boon. Hiranyakashyap decided to kill his son Prahlad, a devotee of Lord Vishnu who had single-minded love for God, because he felt jealous. The king failed in his attempt to do so. Then finally he took the help of his sister who had the boon of not being burnt by the fire. Hiranyakashyap put Prahlad on the lap of Holika and blazed fire. Due to the grace of God, Prahlad was not burnt in the fire and Holika was destroyed. She was killed having evil intentions in mind, while Prahlad survived having full faith in Almighty. The moral of the story is clear that always virtue wins over vice.

holik

The same story is told in a different way too, that Holika had been given a special shawl as a boon from God. When she wore that shawl she could not be burned by fire. Prahlad’s father and Holika planned to kill Prahlad by placing him in her lap while sitting in the fire using her shawl to protect her. But divine plan always works. When both entered in the fire, a strong gust of wind came and blew her shawl off of her. Hence, Holika was burnt in the fire of her own evil plan, and pure divine Prahlad remained safe with the devotion to God. Inner purity and inner piety are what truly save us.

Spring season is full of colorful flowers. Originally, playing Holi with colors symbolized association of prosperity and happiness with a good season and atmosphere. Holi is connected with Shri Krishna also who used to play Holi with his friends with great joy in his childhood at Mathura and Vrindavan. Even today Holi is regarded as the most popular festival of Vrindavan and Mathura regions. 

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One meaning of Holi is ‘sacrifice.’ We must remember to sacrifice that within us which is devilish and impure. Only then we will be protected, happy and pious to celebrate all colors of life.

Mrs. Sushma Sharma, Principal, New Vision Intermediate College, Kanpur, UP, India

 

Understanding Shiva and Maha Shivaratri

Maha Shivaratri is celebrated in honor of Shiva, one of the trinities of Hindus. Shiva occupies the highest level in importance in most of the Hindu texts, and is also acknowledged in many cultures beyond India and Hindus. Although there are more than one legend associated with Maha Shivaratri, such as the marriage of Shiva to Parvati on this occasion, worshipping of Shiva on this night to get rid of sins, or get enlightenment, the most common legend connects this night to the cosmic dance or tandav of Shiva that initiates creation, preservation, and destruction of the cosmos.

Attributes of Shiva in his representation (damaru, trishul, moon on his head, serpent around neck, etc.), sitting bare body in yogic posture, tandav dance, opening of third eye, and focus of worship by all, including devas and other members of trinities, particularly prominent incarnations of Vishnu, all indicate to the symbolism in gross, thoughts, and action (GTA).

GTA are all the features of the physical world, which gets created, remains sustained for a fixed period, and then ends. This phenomenon is entirely attributed to Shiva to initiate through the sound of damaru and movements of the dance. Shiva is fully part of the physical world, thus has a place of abode (Himalaya), marries to the daughter (Parbati) of Himalaya or Parbatraj (meaning mountain), and has children, just like any other mortal being on the Earth.

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Among the trinities, Shiva is thus the lord or swami of the physical world. Brahma is the lord of the subtle world where his thoughts are all that are needed to create the cosmos. Brahma does not have any physical possessions, although he has manasputra (created through thoughts of mind) like Indra, Narada, etc. Vishnu on the other hand does not have even mental creation, as He is the lord of the causal world, where cause of everything exists.  As per the common practice each of these trinities respect and differ to the lord of the world they enter. For example, Vishnu incarnation Ram and Krishna both worship Shiva when on Earth to signify the supremacy of the Shiva element in the physical world.

With the above understanding, one should approach the Shiva and Maha Shivaratri to rationally and practically understand their importance and practice. Many times Shiva is considered the destroyer, even though the literal meaning of Shiva is auspicious. Shiva is a yogi par excellence sitting bare body in the coldest place on Earth to indicate that He has mastered the physical world, thus proving his lordship beyond any doubt.

On a related note, Om symbol is used with many chants and rituals of worship, but is most commonly associated with Shiva, like in Om Namah Shivay! Linguistically, Om or more appropriately Aum is expressive meaning of Shiva. It starts with the ‘a’ sound as the open vowel with only aspiration of air, passes through the closed vowel ‘u’, still using the air but changing the shape of mouth in the middle, and finally the last letter ‘m’ of the last of the five classes (guttural, palatal, cerebral, dental, and labial) of the consonants of the Devanagari-aksharmala (alphabets) arranged in two dimensions. The Aum thus represents the sutra or formula with capacity to express the entire visible world (i.e., the expressed physical world). Therefore, this linguistic expression is also consistent with Shiva being the lord of the physically expressed world.

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Why is then Shiva considered as the destroyer of the world? He is not the destroyer of the world, he presides over the physical world that is by nature destroyed. Anything that is created is destroyed by nature. However, people mistakenly attribute Shiva to be the destroyer. Similarly, people attribute Shiva with intoxication, such as cannabis and bhang, even though Shiva is yogi, totally away from all these vices. People considered him to be the epitome of purity who can live without even food, and thus started giving up their vices by surrendering those items at his alter, which others thought was an offering to Shiva. And, this was taken to justify their vices citing Shiva associated with those habits.

On the occasion of the Maha Shivaratri, traditions have provision for fasting, chanting, night vigil to give up even sleep, to indicate sacrifice rather than indulgence. Maha Shivaratri is to remind us of the nature of our existence and its ultimate disappearance. It is a celebration of this understanding which makes us free from the fear of even death.

Om!

Prof. Bal Ram Singh, School of Indic Studies, Institute of Advanced Sciences, Dartmouth, MA, USA

Children in Puranas

Great personalities have always their bright childhood as continuity of qualities is a fundamental truth-

 Dhruva

In some Purāṇas, we find story of a child Dhruva who was a symbol of firm determination and profound devotion towards God. Dhruva was son of King Uttānapāda  and his wife Sunīti . The king also had another son named Uttama, born to his second queen Suruchi, who was the preferred object of his affection. Once, five year old, Dhruva was sitting on his father’s lap at the King’s throne. Suruchi, the step-mother, who was jealous of the Dhruva, forcefully removed him from his father’s lap. When Dhruva protested and asked if he could not be allowed to sit on his father’s lap, Suruchi scolded him ruthlessly saying; ‘only God can allow you that privilege. Go ask him.’

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(Source of Image : Daily Bhaskar.com)

Sunīti, a lady of gentle nature but lesser favorite wife of king, tried to console her distressed son, but Dhruva was determined to hear about his fate from the Lord.  Seeing his firm determination, mother Sunīti allowed him to go to the forest. Dhruva was determined to seek for himself his rightful place. Noticing his resolution, the divine sage Nārada appeared before him and tried to abstain him from obtaining severe austerity at such an early age. But Dhruva was firm on his decision, and therefore, overwhelmed sage guided him towards his goal by teaching rituals and mantras to meditate and please the lord Viṣṇu. The one mantra, taught by Nārada which was effectively used by Dhruva, was Om Namo Bhagavate Vāsudevāya. Little Boy fixing his mind on Lord, started his meditation, and went without food and water for six months for the gratification of Viṣṇu. His tapasyā shook the heavens, and Lord appeared before him, but the child would not open his eyes being merged in the inner vision of Viṣṇu’s form described by Nārada. Lord Viṣṇu adopted a strategy to disappear that inner vision. Immediately Dhruva opened his eyes, and seeing outside what he had been seeing in his mental vision, prostrated himself before the Lord. He could not utter a single word. The Lord touched his right cheek by his divine conch and that sparked off his speech. He recited a beautiful poem of twelve powerful verses in the praise of the Lord which is called Dhruva-stuti. The Dhruva-stuti as mentioned in the ViṣṇuPurāṇa is quite different from the Dhruva-stuti of BhāgavataPurāṇa.

Having spent a long time in the Lord’s commemoration, he even forgot the objective of his tapasyā, and only asked for a life in memory of the Lord. Pleased by his tapasyā and by his stuti, Viṣṇu granted his wish and further decreed that the child would attain Dhruvapada – the state where he would become a celestial body which would not even be touched by the mahā-pralaya. Dhruva returned to his kingdom. Now he was warmly received by his family. He attained the crown at the age of six and ruled his kingdom for many decades in a fair manner. Today people highlight any fix position or firm decision, saying it as ‘dhruva.

 Prahlāda

Prahlāda, a young boy is known in the Purāṇas for his firm devotion towards Lord Viṣṇu. Demon king, Hiraṇyakaṥyapa was his father who had commanded everybody in his kingdom to worship only him. But his son, Prahlāda refused to worship his father and became an ardent devotee of Lord Nārāyaṇa. Hiraṇyakaṥyapa tried several ways to kill his son Prahlāda but Lord Viṣṇu saved him every time. Finally, he asked his sister, Holikā to enter a blazing fire with Prahlāda in her lap. For, Hiraṇyakaṥyapa knew that Holikā had a boon, whereby, she could enter the fire untouched. Holikā took her seat in a blazing fire with Prahlāda in her lap. Holikā was not aware that the boon worked only when she entered the fire alone. Prahlāda, who kept chanting the name of Lord Narāyaṇa, came out unharmed, as the lord blessed him for his extreme devotion.

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(Source of Image : http://www.padhokhelo.com)

Prahlāda was finally saved by Lord Narasiṁha (half-man half-lion), a prominent avatāra of Viṣṇu who killed his wicked father too. After the death of Hiraṇyakaṥyapa, Prahlāda took his father’s kingdom and ruled peacefully and virtuously. He was known for his generosity, kindness, determination and faith in God. In the story, we see that God saved his devotees and punished the evil. Therefore, Prahlāda is regarded as a symbol of goodness and divine faith.

– Dr. Shashi TiwariGeneral Secretary, WAVES –India & Former Prof. of Sanskrit, Maitreyi College, University of Delhi